Word Games

Featured image is Lower-Austrian Peasant Wedding, by Ferdinand Georg Waldmüller

J. L. Austin made a tremendous breakthrough in linguistics and the philosophy of language when he demonstrated the performative character of language—that is, by saying something we are always doing something. Extreme cases include “I now pronounce you man and wife,” which, when uttered in the right circumstances, changes the status of two people from being single to being married.

The problem with operationalizing this comes in with the notion of “in the right circumstances.” Can these be specified in advance? At what level of detail? How small do deviations need to be before the speech act is nullified (or “infelicitous” as Austin put it)? Are some infelicities more important or decisive than others, and does this vary for each sort of speech act?

Austin ultimately gave up on a completed system, though many speech act theorists since him have taken up the torch. Among these, his former student John Searle is the most notable.

But I stand with critics like Jacques Derrida and Stanley Fish in thinking that a high degree of uncertainty is required by the subject matter. Derrida has pointed out that if the successful performance of a speech act is determined by context, and context is boundless, then we can never know with the certainty of mathematical or logical necessity that we have avoided infelicity. There may be aspects of the speech situation that we did not notice at the time which invalidate it retroactively, and the uncertainty around this is ineradicable.

It is akin to digital security—we may use top of the line cryptography, we may use stricter than best practice implementations, but we cannot know about security holes that haven’t been discovered yet. If we could, then we would have discovered them already. There is no reducing, much less eradicating, uncertainty of this sort—in security or in speech acts.

The point is not that no speech act ever succeeds, but that it isn’t something we can really measure externally from the situation and the people involved. Moreover, even to participants it is not known with the certainty of the solution to mathematical problems.

Without pretending to such certainty, I’d like to build off of our previous discussion of Aristotle’s notions of actuality and potentiality, as well as efficient and finals causes, in order to continue the discussion of when speech acts go right or wrong. Continue reading “Word Games”

Where Do Beliefs Come From?

Featured image is Sunset, by Caspar David Friedrich.

This post is dedicated to Drew Summitt, who has relentlessly pushed Aristotelian metaphysics upon me. It is also a technical followup to this piece.

To have beliefs, one must have a lot of other beliefs. This is John Searle’s summary of the point that, in analytic philosophy anyway, goes back at least as far as W. V. Quine. No lone belief is coherent in isolation, but only as part of a web of beliefs that provide it with context.

Rather than a web, Searle spoke of a Network. At first he believed the Network was a set of unconscious beliefs that provide context for conscious beliefs. But in time he came to see that the notion of an “unconscious belief” is dubious. Instead, we ought to speak of having the capacity to generate some specific belief.

We think of memory as a storehouse of propositions and images, as a kind of big library or filing cabinet of representations. But we should think of memory rather as a mechanism for generating current performance, including conscious thoughts and actions, based on past experience.

(…)

Instead of saying “To have a belief, one has to have a lot of other beliefs,” one should say “To have a conscious thought, one has to have the capacity to generate a lot of other conscious thoughts. And these conscious thoughts all require further capacities for their application.”

The Network is the specific set of capacities for generating the relevant beliefs. It is a subset of the Background, which are all of the non-mental capabilities that generate mental states.

I find this taxonomy compelling. I would summarize the basic insight as follows: consciousness, knowledge, beliefs, and all mental states are performed, not stored. As Richard Moodey put it, “I imagine ‘knowledge’ as inseparable from acts of knowing, as something performed, rather than possessed.”

So we have performed mental states, and we have capacities for generating them. What is the ontology of these capacities? Continue reading “Where Do Beliefs Come From?”

Malum in Volente

Indecisive wind moped through the savage trees of Anacortes. Dave and I begged the pitiable sloop to pass unmolested through Deception Pass. Land, as they say, was quite nearly ho. Audra’s icy blue eyes peered out of the cabin at the crags drifting past overhead.

“You ever wonder about the nature of evil, Sam?”

Dave had startled me. I was lost in reverie, pondering the inky boundaries between fantasy, dream, prophesy, and madness. Even when the ocean wasn’t whispering terror into my ears, I often found the lure of introspection difficult to resist when the wind moaned and the waves lapped. “I don’t know. Maybe. I always just sort of reckoned it was a term of approbation.” I shook my head. “No, wait. That means approval, right? The opposite of that. Opprobation.” Continue reading “Malum in Volente”

Frayed Edges of a Web of Belief

Featured image is a painted backdrop of a palace, by Edgar S. Paxson

To say that a farm boy knows how to milk a cow is to say that we can send him out to the barn with an empty pail and expect him to return with milk.

– Thomas Sowell, Knowledge and Decisions

A farm boy enters a barn with an empty pail. He has been in this barn, and barns like it, so many times before, that he does not even register most of his surroundings. He milks the cows almost without thought; the motions come to him as effortlessly as walking or scratching an itch.

The next day he returns, but something is not right. He is sure that he came the same way that he always does, but he doesn’t recall ever seeing this barn before. Thinking as hard as he can, he supposes that the barn he usually goes to looks something like this one. Trying to move beyond the strange sensation of unfamiliarity, he goes in. But it is no good—even inside, something feels very off. He looks around for some sign that this is the correct barn. He stares at a cow for several minutes before realizing he ought to get started. Once he is in position, he finds that he cannot make his hands work correctly. He does not tug hard enough to produce any milk, or he misses the pail. He simply cannot perform the task the way he knows he should be able to.

How many times must we send a farm boy in with an empty pail to get milk before we are satisfied that he knows how to milk a cow? Can we call no one a farm boy until he is dead?

W. V. Quine argued that any of our beliefs are only coherent within a larger web of belief, most of which we are not conscious of in a given moment. Hans-Georg Gadamer speaks, in like fashion, of a horizon of meaning which form the conditions of intelligibility for every one of us. But where are these horizons? Where do the visible threads in this web lead?

John Searle once thought that the beliefs we are not conscious of right at this moment are kept in a sort of inventory of unconscious mental states. In attempting to flesh this out, however, he found unresolvable problems. The only workable model of the unconscious he could come up with was one of the potentially conscious—so to say that someone believes the world is round even when he is asleep is really to say that if he woke up he would be capable of consciously holding that very belief.

We think of memory as a storehouse of propositions and images, as a kind of big library or filing cabinet of representations. But we should think of memory rather as a mechanism for generating current performance, including conscious thoughts and actions, based on past experience.

(…)

Instead of saying “To have a belief, one has to have a lot of other beliefs,” one should say “To have a conscious thought, one has to have the capacity to generate a lot of other conscious thoughts. And these conscious thoughts all require further capacities for their application.”

This is more in line with (to my knowledge) the neuroscience of memory. Memories are not stored and retrieved, but constructed in the moment of remembering.

I am also reminded of Gadamer’s discussion of moral knowledge:

But we do not learn moral knowledge, nor can we forget it. We do not stand over against it, as if it were something that we can acquire or not(…). Rather, we are always already in a situation of having to act (disregarding the special position of children, for whom obedience to the person educating them replaces their own decision), and hence we must already possess and be able to apply moral knowledge. That is why the concept of application is highly problematical. For we can only apply something that we already have; but we do not possess moral knowledge in such a way that we already have it and then apply it to specific situations.

A stage actor or a stand-up comedian, or a baseball player for that matter, has good days and bad days. Do they ever know why? Can they do anything about it even if they do?

When we walk up to the plate, what else can we do but hope? Hope that the scant threads we can see before us still connect back to the larger web. That, just out of view, they haven’t become frayed ends, unconnected and blowing in the wind.

Related Posts:

The Organizational Economics of Time Travel

Why haven’t time travelers prevented the 100% likely depredations of [pending event]? Why hasn’t anyone come back in time to kill Hitler or save the dodo or smother the members of Nickelback in the cradle? Why in a universe of fermion asymmetry and higher-than-three-dimensional branes have we not seen the real-life equivalent of Booster Gold, Ripley Hunter, Max Mercury, Nate Summers, or the crew of the retrofitted RMS Bounty (after replacing the Klingon meal packs)? Continue reading “The Organizational Economics of Time Travel”

Christianity and the Ordinary Life on TV

Is The Simpsons the most Christian show in the history of TV?

This question came after I asked fellow Sweet Talker Dave a related one: is The Simpsons the last show to feature a regularly churchgoing family?

To which he responded: can you think of any other popular TV show in the entire history of the medium which did so?

I put the question to Twitter and received a handful of replies. Most, however, involved families or characters that were nominally churchgoing, but the church was kept firmly offstage. In The Cosby Show, for instance, church is a place the Huxtables are occasionally coming home from, and that is it.The more we discussed it, the more bizarre this seemed. Certainly our culture is more secular than ever now, but that was hardly the case from the start of the history of TV. People offered several theories, but I’m going to run with the one I found most interesting:

Stephen is referring to the following:

seal-good-practice3

I think “reverent portrayals” sums this up nicely.

The bread and butter of TV from the beginning have been portrayals of ordinary American life. By making church purely an object of reverence, it became something bigger than ordinary life. So the center of gravity for shows became work and the home, almost exclusively. The role of church was relegated to special story arcs that required reverence or moral dilemmas or crises of faith, something that would grow tiresome if it were a regular feature of The Andy Griffith Show or Mary Tyler Moore.

The Simpsons, in its irreverence, actually normalized churchgoing—a strange turn of phrase, given how normal churchgoing still is in America! But relative to TV before and since its inception, “normalizing” seems the appropriate word.

Church is a feature of ordinary life in Springfield. People go there every week. Children find it boring. Adults often do, too. Reverend Lovejoy often displays a frustration with his flock expressed with dry and sarcastic wit. The church and even Lovejoy play important roles in episodes specifically about faith or moral dilemmas, but for the most part, it all just fills in the unassuming background for the Simpson family’s ordinary life.

homertheheretic_12

Sun Tzu and the Art of Narrative

Featured image is a statue of Sun Tzu. By 663highland – 663highland, CC BY 2.5.

One of the few nuggets I can recall from my high school reading of Sun Tzu’s Art of War is this: leave your enemy an escape route. If you surround your foe so thoroughly that they have no option but to fight (suppose surrender is not an option), then they will fight like hell. They will fight as nasty as they can, because there is nothing else left. But if they have a way out, then you can best them in the field with less bloodshed on both sides.

Virginia Postrel in her characteristic wisdom points out that Trump voters had many reasons to vote the way they did. Some of these were racist reasons, to be sure. At the very least, Trump voters displayed a stunning lack of giving a shit for the plight of women and minorities, who bore the brunt of both Trump’s narrative assault and his actual prescribed policies (e.g., building a wall and banning Muslim immigration).

Liberals want to turn Trump’s victory into an endorsement of racism and misogyny. That’s a dumb strategy if you’re against those things. The liberal belief that half the country is made up of horrible people is a big reason Trump got elected, and the more Democrats keep repeating it, the more likely their worst fears are to come true.

And so one popular narrative on the left is to portray all Trump voters as reaching deep inside themselves to find their true hearts of racist darkness. But even if this were true, this is a dangerous narrative for liberals and progressives to advance. Think of this as narrative combat. In the flesh and blood political field, of course, liberals and progressives are routed. But there is a narrative struggle as well. And in this narrative struggle, it’s still possible for liberals and progressives to “win”—that is, to weave history such that in electing Trump, Americans are understood to have succumbed fully to racism. Conservatives and other Trump voters are backed into a narrative corner. If no matter what they do, they will be seen as the worst kinds of racists, then they lose all incentive to believe otherwise of themselves. Worse, they will lose any incentive to rein in the genuine racists in their midst.

trump-turnout
Not a broad endorsement of any vision. Link.

And there are truly nasty elements among the Trump electorate. Nothing I have said above should be interpreted as denying that. The KKK and other white nationalists are jubilant at Trump’s victory. Trump’s campaign brought the Alt-Right out of the shadows, and they will be with us for a long, long time. To be clear, the Alt-Right is explicitly against Enlightenment values and liberalism broadly construed. And these elements will likely be emboldened with the apotheosis of their latest mascot.

But we must be careful to allow Trump voters with non-malicious reasons to keep those reasons, woefully misguided though they may be. Those reasons, those self-conceptions, may yet be compatible with the open society. At least, these self-conceptions may be clay that can be worked with toward liberal ends in a way that white nationalist and Alt-Right identities cannot be. Remember that this is the same citizenry that elected Barack Obama. Twice. And some Obama voters also voted for Trump.

Here is another narrative avoid, one of opposite valence. All over my social media feeds I see recriminations of liberals and progressives and “elitists” for doing nothing but calling Trump supporters racists, sexists, and bigots, and generally employing shame tactics against rural America. Now, just as there really do exist actual racists who loudly and proudly supported Trump for frankly racist reasons, there is a kernel of truth to this narrative as well. But it’s not the whole story. Perhaps because of the careful curation of my social media, here’s what I observed far more often than overzealous accusations of racism and angry demands for white men to “check their privilege”: discussion of institutional and other forms of unconscious effective racism that were met by white men who immediately interpreted these discussions as assaults on their character. Openings of discussions of the reality of social privilege were construed as denunciations of whiteness or masculinity as such.

Social justice rhetoric can be and sometimes is weaponized, but white male fragility is also a very real phenomenon. I was discouraged to hear John McWhorter—one of the “black guys of Bloggingheads”—express disapproval of the term “structural racism” as too incendiary. But the idea is all about how unintentional and unconscious actions can lead to racially disparate consequences. Implicit bias is real. Legacy effects of now-dismantled but historically bigoted policies are real. Spontaneous orders resulting from the unplanned actions and beliefs of diverse individuals can and do lead to perverse outcomes for people belonging to certain communities. While care must always be taken in crafting rhetoric, we must not give up on educating everyone about these realities for fear of offending those who most need to learn that these aren’t just silly ideas cooked up by ivory tower professors. As ever, the burden for this communication rests heavier on white folks like me.

The lesson from all this is that there is no singular true narrative for any electoral outcome, especially from an election as unique as this one with two historically unpopular candidates. We can’t make up our facts (leave that to Trump and the postmodern Alt-Right), but we can be strategic about our narratives and the possibilities they contain.

 

Pranks

Dave and I piloted his pudgy sloop through a too-big-to-fail bank of fog. Maritime fog, for those of you fortunate enough to have only met the terrestrial sort, is particularly disorienting. Thick enough, it blots out the sun, silences all but the creaks and moans of the rigging, and brings a chill of dread to even the saltiest sailor. Maritime fog is an even blanket, compared to its clumpy terrestrial duvet cousin. Maritime fog shrouds uniformly, and when it burns off, it teases by fleeing from the top down, keeping deadly shoals obscured even as blue skies vomit their obscene giddiness onto the waves. The claustrophobia of fog provides an excellent excuse to wander the realms of memory. Dave took me on such a tour.

“Do you like pranks, Sam?”

“Pranks?” I had my feet set wide, wary of the dew-slick hull.

“Pranks. You know, like cellophane over the toilet bowl or shaving cream and a feather. Pranks.”

“I can’t say I’m a fan, Dave.”

He leaned back and planted a wooly foot against the ship’s wheel. “Nor I. But there’s this one that I can’t help but think of this morning.”

I let the boat roll under my feet, unconsciously pivoting at the waist and ankles, keeping my head fixed the way a chicken does when you hold it aloft. “Do tell.”

“When I was in, let’s see” He tapped his gray-clad foot with a dull thud against the teak. “I suppose it was sixth or seventh grade maybe.” He had tilted his head back. I could have sworn I saw more silver in his beard than when we left Roche Harbor a few scant weeks prior. “There was this kid in our class. Jeremy Something-or-other. Rhinelord or something. Hoity-toity name, and he acted like it. You know the type. Little Lord Fauntleroy.”

I did know the type, and grunted my familiarity.

“This other kid Jake Pillock just hated him.”

“That’s an interesting surname.”

“It was a long time ago. I’m improvising here. Bear with me.”

“Please continue.” I could still feel the menacing hum of the deep reverberating through the hull in the soles of my topsider loafers.

“Jake comes up with this idea to get Jeremy to eat shit.”

“What, like fall off his bicycle or something?”

“No, like literally. Take a bite of feces, chew it up, and–ideally–swallow it.” He grinned broadly.

“Seems sensible” I drawled. “What was his plan?”

“Well, here’s the thing about getting someone to eat a turd.” He paused for a second, then corrected himself. “No, not ‘a’ turd. ‘Your’ turd. Jake wanted Jeremy to eat his turd. Handcrafted, if you will.” The grin refused to leave his face even briefly. “The thing about getting someone to eat your turd, the one you yourself produced, is not as easy as just handing it to him and asking politely.”

“I would guess not.”

“His plan was fairly elaborate. He started with the research phase. He went around to all the grocery stores, bodegas, and the one candy shop in town buying all the candy bars he could lay his hands on. He opened them all for inspection, slowly eliminating candidates based on density, filling, aroma, that sort of stuff.”

“The plan was to disguise his turd as a candy bar?”

“That was the overall plan, yes.”

“I can already detect some shortcomings with this approach.”

Dave pressed on with his story, ignoring my skepticism. “After careful review, he settled on a Guatemalan confection. It was a medium density, firm, aerated, pressed chocolate fondant dotted with raisins. I’d never heard of the brand before, and I haven’t seen one since.”

“Probably wise to go with something obscure, I suppose.” I was beginning to see the internal logic of his made-up tale.

“Exactly. Every American kid knows exactly what a Milky Way looks and feels like.”

“And smells like” I added.

“Be patient. I’m getting to that part.” His eyes glinted. “The first step was getting the shape right. You can’t just mold a slab of sewer trout with your bare hands and expect perfection.”

I closed my eyes, grateful for calm waters for a change. “I accept this claim without supporting evidence.”

“He did this three-step cold molding process. First with some agar-silicone stuff, then plaster, and finally a hard resin negative mold. Jack had himself a perfect imprint of that Guatemalan candy bar. All by himself. Hell of a project for an eleven year old.” I could hear genuine admiration in Dave’s voice.

“A great day for humanity.” I was caught halfway between grudging admiration for Dave’s gross-out storytelling ability and a twinge of revulsion for where I knew the story was headed.

“The next step was to produce the appropriate raw material for the substitute bar.”

“Sounds daunting.”

“It involved weeks of Jake fine-tuning his diet. He wanted to produce a dark cake, low on moisture, few esters, no sulfur, that sort of thing. If I recall correctly, he found luck with citrus fruit and raw grains, pottage. That sort of thing. Poi.”

“That’s a curious use of the word ‘luck’ there, Dave.”

He bounced a fist off his knee as he nodded. “The trick is, if I understand the microbiology, to avoid the wrong kind of anaerobic bacteria metabolism. You need some for ordinary digestion, but there’s a whole stew of different gut bacteria in there. Feed the right ones, and you’ll get something fairly dense and not at all smelly on the other end. Trial, error, and a whole lot of patience worked wonders.”

“Again, I question your use of rhetoric, my friend.”

“Preparation was a matter of diligence. He leavened the bog loaf with twenty three raisins.”

I interrupted. “Twenty three? That’s awfully specific.”

“Apparently, it’s an important number for rituals. Hermetic Qabalah something something something. I don’t know much about it, but he made a big deal about it having to be twenty three raisins.”

“I know someone who’d find this story fascinating.”

“Yeah? I’d like to meet him.”

“Her.”

“Her then. Anyway, twenty three raisins some chocolate flavoring, and a trip through the press mold later, he needed to spray on a little shellac to give it a glossy finish and smuggle it into the wrapper.”

“Sounds easy enough.”

“You’d think so, but the seams on candy bar wrappers are actually heat welded. It isn’t like a paper envelope you can just steam open and then glue shut. You need a different technique.”

The gloom of the fog was unrelenting. I peered intently into the water just off the bow. “So what was the technique?”

“Pinch and pull. Pinch and pull as slowly as you can. Hope the plastic doesn’t tear. If you’ve done it right, you can slide the real bar out and the fake one in. Then you need an adhesive that will mimic the heat welding process as much as possible. I think he settled on a quick-acting two-part epoxy. It set fast, and it was just as flexible as the plastic. Still, he didn’t want to rely on that part for the deception, so he just did the best he could and hoped to make up the difference with the con.”

“How do you mean?”

“To get someone to eat your shit, you need to be an effective salesman. You need to make a solid pitch, and you need your mark to think it’s his idea. This is basic stuff, Sam.”

“I suppose so. I’m not a con man.”

“I didn’t take you for one. Still, you’ve seen movies before, right? Diggstown, Matchstick Men, The Sting. You know, the classics. You’ve seen those, right?”

“Sure.” I remember watching movies once upon a time. I remember big cinema screens and canned music. I remember.

“So you can’t just offer your enemy a candy bar out of the blue and expect him to take a big ol’ bite, even if it appears to be in the original wrapper.”

“Okay” I was wary of where the story was headed.

“He needed to really sell it. So he came up with this ornate patter to convince Jeremy that in order to make amends for past conflicts that he’d share with him this new fancy imported candy bar that he’d found.”

“Sounds like a flimsy story.”

“It was. That was the problem. He was eleven at the time. He first overprepared by basically writing a rote speech and then compounded his error by giving it a bad pretext. That’s where it started to go wrong.”

“Started?”

“Jake delivered his speech, offered the bar to Jeremy, and seemed surprised when Jeremy didn’t take him up on his peace offering. Jake’s delivery was unnatural, forced. Despite all his practicing, he just wasn’t a good enough actor to pull it off.”

“So what did he do?”

“He did what he had to do to get his enemy to eat his butt muffin. With a flourish, he opened the wrapper, took a big whiff up close to his nose, smiled satisfactorily, and offered it again to Jeremy, informing him of the raisin treats awaiting inside.”

“Did it work?” I immediately regretted allowing my curiosity rein.

“Nope. Not yet. He hesitated a little, then broke a piece off for himself.”

“Oh God, no.”

“And with a gently trembling hand.”

“No no no no nope. Stop Dave.”

“He put it in his mouth.”

“Jesus Lord Christ no.”

“And began to chew.”

“Why in the name of all that is holy are you doing this, Dave?”

“That did it. Jeremy took the remainder of the bar and also took a bite and began to chew.”

“I both hate and pity you right now, Dave.”

An irritated voice floated up from belowdecks. “Don’t be a stupid American. In East Europe everyone knows that if you want someone to eat your shit, you have to first be willing to take a bite yourself. Grow up.”

The fog finally lifted. We could see the outline of the Deception Pass bridge. Almost there.

Direct and Mediated Speech and Reality

Featured Image is Painting of Russian writer Evgeny Chirikov, by Ivan Semenovich Kulikov

I’ve been drawn to the hostile exchange between Jacques Derrida and John Searle for some time. It seems to be such an interesting clash of perspectives, styles, and cultures, and on a subject I wanted to learn more about.

The discussion focuses most intensely on the status of speech acts—such as promises or wedding ceremonies—in fiction and representative art, compared to promises and wedding ceremonies in normal contexts.

Austin refers to the former as “parasitic” on the latter, or derivative. Searle puts it like this:

The sense in which, for example, fiction is parasitic on nonfiction is the sense in which the definition of the rational numbers in number theory might be said to be parasitic on the definition of natural numbers, or the notion of one logical constant in a logical system might be said to be parasitic on another, because the former is defined in terms of the latter.

Responding to a different, similar passage from Searle, Derrida is empatic: “I am not in agreement with any of these assertion.”

The determination of “positive” values (“standard”, serious, normal, literal, non-parasitic, etc.) is dogmatic. It does not even derive from common sense, but merely from a restrictive interpretation of common sense which is implicit and never submitted to discussion. More disturbingly: nothing allows one to say that the relation of the positive values to those which are opposed to them (“non-standard,” nonserious, abnormal, parasitical, etc.), or that of the “nonpretended forms” to the “pretended forms,” should be described as one of logical dependence. And even if this were the case, nothing proves that it would entail this relation of irreversible anteriority or of simple consequence. If a form of speech act that was “serious,” or in general “nonpretended,” did not, in its initial possibility and its very structure, include the power of giving rise to a “pretended form,” it would simply not arise itself, it would be impossible. It would either not be what it is, or not have the value of a speech act.

Here, Derrida makes the argument that a criteria for the existence of non-pretended speech acts is their ability to be imitated in the pretended forms; thus since the latter is a necessary condition of the former, you could reverse the relative status that Austin and Searle assign to each. Not that you should, but this shows the relative status to be arbitrary. It certainly doesn’t have the necessity that the relation of rational numbers has to natural numbers.

The analogy with math was poorly conceived, but Searle’s broad point still seems reasonable. The imitation of a promise in a play is predicated on the fact that the audience will recognize it as something that occurs in real life. Derrida’s argument here seems mostly like a parlor trick, once the analogy with math is dispatched. There’s no logical reason that we couldn’t have invented something like promises in fiction first (“life imitating art”) but in general that is not how it works. And it seems reasonable, when analyzing the nature of promises, to put fiction to the side for a moment.

But there is more to Derrida’s argument than this. Never mind his 80 page response to Searle’s 11 page critique; the original piece that started the discussion, “Signature Event Context”, is making a much larger point.

Rather than subjecting you to more Derrida-ese, I will turn now to Stanley Fish’s unpacking of the piece in question.

Continue reading “Direct and Mediated Speech and Reality”