Featured Image is Painting of Russian writer Evgeny Chirikov, by Ivan Semenovich Kulikov
I’ve been drawn to the hostile exchange between Jacques Derrida and John Searle for some time. It seems to be such an interesting clash of perspectives, styles, and cultures, and on a subject I wanted to learn more about.
The discussion focuses most intensely on the status of speech acts—such as promises or wedding ceremonies—in fiction and representative art, compared to promises and wedding ceremonies in normal contexts.
Austin refers to the former as “parasitic” on the latter, or derivative. Searle puts it like this:
The sense in which, for example, fiction is parasitic on nonfiction is the sense in which the definition of the rational numbers in number theory might be said to be parasitic on the definition of natural numbers, or the notion of one logical constant in a logical system might be said to be parasitic on another, because the former is defined in terms of the latter.
Responding to a different, similar passage from Searle, Derrida is empatic: “I am not in agreement with any of these assertion.”
The determination of “positive” values (“standard”, serious, normal, literal, non-parasitic, etc.) is dogmatic. It does not even derive from common sense, but merely from a restrictive interpretation of common sense which is implicit and never submitted to discussion. More disturbingly: nothing allows one to say that the relation of the positive values to those which are opposed to them (“non-standard,” nonserious, abnormal, parasitical, etc.), or that of the “nonpretended forms” to the “pretended forms,” should be described as one of logical dependence. And even if this were the case, nothing proves that it would entail this relation of irreversible anteriority or of simple consequence. If a form of speech act that was “serious,” or in general “nonpretended,” did not, in its initial possibility and its very structure, include the power of giving rise to a “pretended form,” it would simply not arise itself, it would be impossible. It would either not be what it is, or not have the value of a speech act.
Here, Derrida makes the argument that a criteria for the existence of non-pretended speech acts is their ability to be imitated in the pretended forms; thus since the latter is a necessary condition of the former, you could reverse the relative status that Austin and Searle assign to each. Not that you should, but this shows the relative status to be arbitrary. It certainly doesn’t have the necessity that the relation of rational numbers has to natural numbers.
The analogy with math was poorly conceived, but Searle’s broad point still seems reasonable. The imitation of a promise in a play is predicated on the fact that the audience will recognize it as something that occurs in real life. Derrida’s argument here seems mostly like a parlor trick, once the analogy with math is dispatched. There’s no logical reason that we couldn’t have invented something like promises in fiction first (“life imitating art”) but in general that is not how it works. And it seems reasonable, when analyzing the nature of promises, to put fiction to the side for a moment.
But there is more to Derrida’s argument than this. Never mind his 80 page response to Searle’s 11 page critique; the original piece that started the discussion, “Signature Event Context”, is making a much larger point.
Rather than subjecting you to more Derrida-ese, I will turn now to Stanley Fish’s unpacking of the piece in question.
Sweet Talk 
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